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Lotus Dialogues

Rohit Bal says the national flower and peacock motifs represent the range of his design, from ‘simplicity to opulence and borderline arrogance’

Published: 01st November 2014 06:04 AM  |   Last Updated: 01st November 2014 06:04 AM   |  A+A-

HYDERABAD: INDIAN fashion’s enfant terrible may be notorious for his antics off-ramp, but it’s his ability to consistently deliver cutting-edge style that makes Rohit Bal a designer who deserves respect. Earlier this month, couture icon Christian Louboutin was seen in a signature red bandhgala at Bal’s Wills Lifestyle India Fashion Week (WIFW) finale titled Gulbagh. The show had models swaying past in soft ivory saris and velvet lehengas, with dark kohled eyes, dewy lips and deep red roses in their hair. It was a brilliantly conceptualised story, with the Qutub Minar as the backdrop. That Bal (Gudda to friends) has a canny knack for both refined drama and business is evident. The latter includes projects for the masses like pret collaborations with brands like Jabong and Biba, as well as his involvement with Linen Club, Chivas Regal, Mitsubishi, Rolls-Royce, Zippo lighters, Titan Nebula and Kirtilal Jewellers. Luxe villas in Goa are next (designed and decorated by him), and he unapologetically admits that future endeavours will range from carpets to cars, via home accessories and interior design. Bringing together these diverse strands is the Rohit Bal Luxury Wedding brand, which delivers the final word in lavish weddings.

Known as the high-rolling, hard-partying designer everybody wants to be friends with, Bal, in his 50s, certainly knows a thing or two about creating a fantasy. His 25 years in the industry have been well spent. We catch up with him as he takes a breather between the success of his Gulbagh collection, and the start of the forthcoming wedding season.

Multiple roles

Bemused by how the idea of a hedonistic party boy gained widespread currency, Bal is keen to set the record straight. ‘‘I never really partied hard. I think that impression was created because I was interesting and, therefore, people were following what I did,’’ he begins. ‘‘Actually, I’m impulsive and disorganised, and I’m not that ‘work hard, play hard’ type. What does define me is my spontaneity and my honesty, and the fact that I’m able to work at an incredible pace.’’ This is a priceless attribute when overseeing projects that range from pret and couture to designing lighters and whiskey packaging. What unites all this, explains Bal, is the creative focus and design freedom that he insists upon before taking on any work. Much anticipated projects include two books - a coffee table book that is a serious take on Indian craft, to be published by Om Books, and a separate semi autobiographical work that will be brought out by Penguin. ‘‘It’s basically the Indian fashion industry over the last 25 years, but through my eyes,’’ he reveals. Elaborating on the themes that the book will traverse, he says that ‘‘the biggest trend is India coming out of the dark ages, in the sense that we’re rediscovering our heritage and going back to our culture, rather than focussing exclusively on the west.’’ Literature aside, tea packaging for Red Label as well as a luxury collection of bed linen from Bombay Dyeing are hitting shop floors soon. ‘‘Try the bedding, it’s just like sleeping on my clothes!’’ he says. Jokes aside, the designer  stresses that he approaches each collaboration in exactly the same way, with no distinction between fashion and other projects. ‘‘In the same way that you can always spot a Rohit Bal bride, you can see when I have designed any of these products.’’

Reaching the masses

A proponent of high street as well as high end fashion, Bal’s designs have impact beyond the ramp, through collections with brands including Biba, Linen Club and Jabong. ‘‘These collaborations help us make the product much more accessible to tier two, three and four cities, and not just the cosmopolitan crowd,’’ explains Bal. Unwilling to pick a single pret piece that defines his style, he shares that he’s most happy with the focus on the classic yet contemporary silhouettes, whether it be the anarkali, lehenga or sari. But he explains that couture involves taking each piece ‘to the next level’, making it a true piece of art. ‘‘Let’s say if you had an original painting and decide to make a print of it - that’s pret. As pretty as the original, but pret,’’ he explains, with characteristic lighthearted candour.

Down the aisle

With his fashion shows already renowned for their sheer grandeur, branching out into luxury wedding management was a natural progression. The Rohit Bal Luxury Wedding company has a team to handle everything from catering to on-the-day logistics. Says Jeh Bajaj, CEO of the enterprise which started in December 2013, ‘‘Rohit had designed weddings for clients on a one-off basis, but this enterprise is more formal, with a hand-picked team of specialists.’’ With two weddings under their belt already, there are three more planned before the close of this year’s wedding season. ‘‘We can’t do more than that per season because of the sheer amount of detail,’’ shares Bajaj. Bal, himself, is keen to get started. ‘‘Indian craft, and my peacock and lotus motifs are just as relevant when it comes to interiors,’’ he explains, adding, ‘‘I’ve used thekri, an ancient form of mirror work, on walls and ceilings.’’

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