These carpets each infusing their unique sensibilities, and creating a multifaceted collection that stands at the crossroads of history, art and personal stories.
These carpets each infusing their unique sensibilities, and creating a multifaceted collection that stands at the crossroads of history, art and personal stories.

The India story in-between the threads

Obeetee takes an artistic leap with its new range of carpets that knot together different facets of the country’s vibrant identity.
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When the warp and weft of every thread tell the stories of India’s rich heritage, you know these are no ordinary rugs. They are custodians of the country’s cultural repository. Viraasat, Obeetee carpet’s most ambitious endeavour till date, pays homage to this legacy through a new collection of artisanal rugs that capture India’s vibrant soul. They reflect the love and laughter shared by its people, the thriving passion for art and craft, the enduring sense of brotherhood, and a deep reverence for its festivals, rites and rituals.

“This precious legacy, passed down to us through generations, needed to be carried forward. The collection is a way of preserving these narratives for posterity, ensuring that they remain alive and cherished in the future,” says Angelique Dhama, president of Obeetee Carpets.

To truly capture the essence of diversity, four renowned designers—Tarun Tahiliani, Anju Modi, Ashdeen Z Lilaowala and Anita Dalmia—came together to design the carpets, each infusing their unique sensibilities, and creating a multifaceted collection that stands at the crossroads of history, art and personal stories. “Creativity alone wasn’t enough to design them; understanding the technicalities of carpet-making was crucial, which is entirely different from making garments. It took 2.5 years to create the five-seven carpets I designed. Each is a manifestation of my imagination of how the forests during the Ramayan era might have looked. I used elements of flora and fauna, making it feel as though you’ve stepped into a palace from 500 years ago,” says Modi.

For Lilaowala, the vision was to design the pieces as works of wall art. For this, he leveraged his expertise in Parsi garha embroidery and translate the traditionality of these designs into modern carpets. “We centered each carpet on a medallion and incorporated a profusion of biota elements,” he says, adding, “They’re so special, I can’t imagine them being used in the conventional way as floor coverings. They’re meant to be cherished as family treasures.”

Tahiliani couldn’t agree more. He created the Nisha Kaleen carpet with the vision that it would become an heirloom. Crafted in wool, viscose, silk and cotton, it dons a rich red hue, with a burst of bright blue, taking after the glorious plumage of India’s national bird, the peacock. “The making of this carpet involved chikankari, and this time, we explored the Pichwai story. The intricate craftsmanship required to bring these creations to life was immense,” he says.

It was the most immersive, meditative experience for Dalmia, who imagined her pieces after the mysticism of temples set in a modern context. “For this, I used the most sun-kissed golden hue to capture the architectural grandeur of India’s gorgeous temples, creating what I would describe as a divine romance in the design,” she says.

The carpets were launched at the ongoing AD Design Show. The decision to feature it as this prestigious event was to reach people who appreciate the art of storytelling and understand the craft of carpet-making so that these beautiful pieces can find their right home.

Availability: Obeetee.com

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The New Indian Express
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