Nepotism accusations haven't reached the South yet: Suhasini Mani Ratnam

Published: 16th October 2020 01:53 PM  |   Last Updated: 16th October 2020 01:54 PM  

The lockdown has brought about a paradigm shift in the lives of millions. For actor-director Suhasini Mani Ratnam, the change seems to have been positive, with her returning to direction after 25 years for the Amazon Prime anthology titled Putham Pudhu Kalai. Her short film is titled Coffee, Anyone?, co-written by husband filmmaker Mani Ratnam.

Suhasini is also joined by her cousins Anu Haasan and Shruti Haasan to act alongside her in this muchanticipated anthology, which is set to premiere on October 16. In the latest edition of Time Pass, a series of webinars organised by The New Indian Express group, Suhasini sat down with senior journalist Kaveree Bamzai to discuss her upcoming film, family, and even politics. “I wrote about six short stories during the lockdown, and when Amazon approached me, I pitched two of them.

One of them was Coffee, Anyone?” says Suhasini. As the film was made during the lockdown, the resources were limited. “I roped in my father, Charuhasan, my cousins Anu (Haasan), who lives across the street, and Shruti (Haasan), with whom I had developed a special bond through video- calls during the lockdown. My father couldn’t be part of the story due to an injury. I even had ideas to rope in my uncle Kamal Haasan but decided against it.” The conversation naturally steered in the direction of the hot topic this year — nepotism in the film industry.

When asked about the nepotism accusation against familial collaborations, Suhasini says she doesn’t know why it is happening. “I can’t change the fact that I am Charuhasan’s daughter and Kamal’s niece. I think there is more pressure on us...even more on the next generation like Shruti, Akshara, and my son. But the problem is not in the South yet...that pandemic has not reached us yet,” she says. Over the years, cinema lovers have been treated to a variety of genres and movies.

Suhasini notes with satisfaction that films across languages have become better. “It started with Hindi cinema when people like Farhan Akhtar stepped in. In Tamil cinema, amazing filmmakers like Vetri Maaran, Bala, Selvaraghavan and Karthick Subbaraj came in. But I would say now Malayalam films are better than ours,” she says. The actor-director also touched upon the status of Mani Ratnam’s upcoming magnum opus, Ponniyin Selvan, revealing that the director has finished work on about 30 per cent of the film. “The remaining work can be done only when the situation gets better. There is permission to shoot with 150 people now, but Mani needs at least 500 people to shoot the rest of the film with,” she shares.


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