Behind every successful man, there is a woman. Occasionally, it might be the other way round. Like in the case of Anjuli Shukla, the woman cinematographer of Malayalam movie 'Kutty Srank' , which released in July this year. The film won many accolades in various international festivals with a National Film Award also coming her way.
For that she thanks her mentor, Santosh Sivan.
The vivacious and down-to-earth Anjuli was in Chennai recently to screen the movie to her friends and to Santosh Sivan, from whom she learnt the art of cranking the camera, and is ‘still learning’.
“Santosh Sivan saw the film for the first time at the screening,” beams Anjuli, who joined the ace cinematographer immediately after graduating from the Film and Television Institute of India (FTII). “Whoever comes out from the FTII joins an acclaimed cinematographer or director. I was like any other aspiring cinematographer and was lucky enough to get a chance to work with Santosh sir,” says Anjuli.
She’s the eldest of four sisters and hails from Lucknow. She asserts that it was the constant support and encouragement from her family that helped her pursue her dream.
“My parents are yet to watch the film. The DVD was out only recently and I will definitely show it to them,” says Anjuli, who loves to travel and explore new places. “That may be the reason I enjoy my work so much,” she says. Anjuli is now busy assisting Santosh Sivan with the film 'Urumi'.
As 'Kutty Srank' is a largely women-oriented movie, director Shaji N Karun thought a woman cameraperson would be apt. “Working in 'Kutty Srank' was a unique experience.
The film was completed in three schedules. During the first shot, Mammooty shook hands with me and said he was looking forward to working with me. He was very supportive and so was the director,” says Anjuli.
“I’m always open to projects in other languages. I’ve done a couple of independent projects and talks are on for feature films, too,” smiles Anjuli, who has worked with Santosh Sivan in 'Raavan' and 'Before The Rains'.
How did winning the National Award feel?
“I was in the middle of 'Urumi’s shooting when I heard the news. I felt really happy,” she smiles.
What does it take to be a woman cinematographer?
“Times are changing and women have always been in cinema, either on screen or behind the camera,” says Anjuli, who seems as if she is out to set an example.