Counting to 30

Counting to 30

Ad-man Prahlad Kakkar on his eccentricities, India’s ad scene and what he thinks of the ice bucket challenge

HYDERABAD : Be it at business, ad filmmaking or life, 60-year-old Prahlad Kakkar lives to go against the grain. He’s made careers and launched household names-Aishwarya Rai in the unforgettable Pepsi ad and Maggi with the “It’s different!” tagline. The ad-hatter, as he’s fondly known, has shown fierce individualism in his career, starting Genesis Films, his own cigar brand, Sherger, a scuba-diving institute, Lacadives, and two roaringly successful Mumbai restaurants, Casa Amore and Sarson Da Saaga. Having won accolades at the New York Advertising Festival and being nominated for a Cannes Lion award, what really is his driving force? “I’m an intuitive neurotic, as many creative people are,” he says. Research and storyboarding are out of the question, he’s only interested in the bold and cutting-edge. “The best ideas are often found in the dustbins of an advertising company,” he says.

Ad-libbing

With social media taking on the appeal of print ads and TV commercials, is Kakkar worried? “Sure, its interactivity and demographic it reaches definitely boosts the number of eyeballs a brand gets, but nothing beats the brand recall that a great advertisement ensures,” he insists. Meanwhile, according to him, newer brands like Micromax are getting ahead of the game with innovative campaigns, while the big league is falling back on the safe and rational. He believes that great scripts and execution come from brands that can’t afford to be featured on TV every so often-and that’s where the younger crop is winning.

The young and the restless

About the ad man’s passion for mentorships, Kakkar jokes, “I’m like Yoda, whom I consider the youngest character in the Star Wars series, because I’m always up for learning what keeps my students young. Teaching is what keeps me immortal in a way.” He is also not in awe of international acclaim as he believes the awards are not an indicator of quality. He feels appreciating the cultural madness of an Indian advertisement doesn’t come easily for an international jury, which expects universality. But he is all for campaigns like the recent Ice Bucket Challenge, which is gaining traction worldwide. The real hook of the campaign, he says, is public imagination getting caught up with a celebrity almost losing their dignity for a cause bigger than themselves. Finally, what is Kakkar’s mantra to making it big with an ad film? “Don’t make the ad like it’s work. Own the idea. Live the idea.”

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The New Indian Express
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