 | 'Rasbhari' review: This Swara Bhasker-starrer adult comedy 'tries too hard'While Swara Bhaskar sells the sex siren role, the one-note definition becomes monotonous as the series progresses. |
 | Homemade review: A group of filmmakers unite to elevate lockdown cinemaYou have Mayroun and the Unicorn by Nadine Labaki & Khaled Mouzanar, which is an uninterrupted scene of a daughter in her dad’s office. |
 | Bhanumathi Ramakrishna review: A sensible new-age love storyThe film’s mature writing ensures that these characters come across as real people, and not just archetypes. |
 | Sufiyum Sujatayum review: A tepid romance with some fine performancesThe film shows some promise in the opening scenes which carry a sense of foreboding. Much attention has been paid to how the environment should react to certain events. |
 | 'The Twilight Zone Season 2' review: An inconsistent follow-up with hits and missesBack when it was first created in 1959, it captured the mood of the times and managed to explore horror and thriller elements in a sci-fi backdrop. |
 | 'Dark' season 3 review: Light at the end of the caveDark, set in a small German town Winden, is about a series of missing children and supernatural occurrences that change the lives of a few families. |
 | |
 | Krishna and His Leela review: An effortlessly deep exploration of modern romanceIt’s a dance between entertaining conversations and energetic montages, flavoured all the while by a score, which includes, quite relevantly, a remix of Alaipayuthey Kanna. |
 | Bhonsle review: Manoj Bajpayee is masterful in a deeply moving filmIt’s the same slur he’s been using to flame anti-Bihari sentiments in a Mumbai chawl. Here, though, the context is revised. |
 | Nobody Knows I’m Here review: A compelling character study elevated by Jorge GarciaThis is one of those films that makes the viewer work for the answers they are seeking |
 | 'Bulbbul' review: A bewitching tale of trauma and heartbreakA slender mix of supernatural horror and social commentary, Bulbbul — produced by Anushka Sharma and out on Netflix — is a bewitching tale of trauma and heartbreak. |
 | 'The Sinner' Season 3 review: A solid and gritty new season that outdoes old onesIt is said that The Sinner was initially conceived as a close-ended series based on German writer Petra Hammesfahr’s book of the same name. |
 | '7500' review: Joseph Gordon-Levitt saves the day, and the filmThe 92-minutes film isn’t about fancy long shots across the length of the fuselage to capture emotions of occupants; it’s about plain capturing of the emotions and actions of two individuals. |
 | 'Aarya' review: An engaging, unhurried crime dramaOften, the stakes in these films concerned the safety and security of a child. It’s at this juncture that we meet her again, ten years after she took a break from Hindi screens. |
 | 'Penguin' review: Keerthy Suresh is good, the movie is notThe one person to truly emerge unscathed from Penguin is the one whose character suffers the most within it: Keerthy Suresh. |
