Vikram Vedha: Making of a title

With Vikram Vedha’s opening animation sequence set to be released later this week, we speak with the  animators behind its creation
Vikram Vedha: Making of a title

Opening credits are often underrated, and it was never more apparent than in the recent Madhavan-Vijay Sethupathi film, Vikram Vedha, whose opening animation sequence beautifully setup the whole film and its structure even.

City-based animator, Sandhya Prabhat, who worked on the sequence, says that the directors Pushkar and Gayathri asked her to read up on the Vikramaditya-Vedalam story first. “They wanted me to adapt the theme of the story for the opening credits,” she says. “Since there was no definitive storyline formed at that time, we discussed around two-three plot structures.” 

The initial sketches apparently seemed straight out of a picture book, but after a few trials, the team got the basic outline right, including the portrayal of blood and Vedha’s eyes in shades of red. The directors then gave a script that was essentially a scene-by-scene picturisation of how they had reimagined the Vikram-Vedhalam story, starting off with how Vikram is a sad, hopeless king. 

The directors provided immense freedom to present it in the artist’s own style, their only suggestion being to make all the shots look aesthetic.

“We needed the title track, so the sequence could be in sync with it. It was around this time that popular animator Jemma Jose joined me, and a lot of coordination had to be done to ensure continuity,” she says.

“Every one of us had to sketch every object, and every detail in four-five different angles. Then we discussed the mechanics of the sketches, as once animation starts, making changes would become a tedious process.”

Sandhya says that the whole process could be roughly classified into five categories: character design, storyboarding, filling out the background, character sheet, and animatics, which is the stage before animation. Sandhya and team didn’t know too much about the plot of the film, but she’s happy about it. “It really made us feel like we were working on some independent project.”

Sandhya (Left) and Jemma 
Sandhya (Left) and Jemma 

Jemma, who joined the project later, explains the colour scheme: “Pushkar-Gayathri wanted us to utilise a grey, black and white colour scheme, in keeping with the theme of the film. If you noticed, the same pattern is followed in all the posters, and other designs that were made for the film. They wanted the palette to be desaturated with the tones being strong and powerful,” she says.

I ask about the rather minimalistic style of the art. “We used 2D hand-drawn animation as we felt it would do justice to the theme of the film,” she says. “We cannot have complex graphics and multi-layered effects as it would really distracted you from the main point.” The biggest challenge, according to the duo, was time.

“That’s always the biggest challenge for any animator. We easily took more than one-and-a-half months from storyboarding to the completion of animation,” says Jemma. Pushkar feels that the animation really connected them to their childhood days, when they were first exposed to the Vikramaditya-Vedalam stories.

“We wanted the animation to have a gritty edge.The title credits were instrumental in bringing context and perspective to the whole film,” he says. “The duo finished the whole project within a limited time-frame, with a minimal team no less.”

The official video of the animation will be released on YouTube this week.

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The New Indian Express