'Moothon' review: A welcome change for Malayalam film industry overdosed by feel-good films

In Moothon, you get to see Nivin becoming two different people in two different time periods. It's a spectacle that makes you forget that it's the same guy who was in Premam or Love Action Drama.

Published: 08th November 2019 06:59 PM  |   Last Updated: 08th November 2019 07:05 PM   |  A+A-

Nivin Pauly in Moothon

Nivin Pauly in Moothon

Express News Service

For a major part of Moothon, director Geetu Mohandas and cinematographer Rajeev Ravi keep the characters drenched in shadows. Very rarely do you see their faces fully illuminated--and there are multiple occasions where you see them out in the open--but the rest of the time, it looks as though they are trying hard to hide from something and nature is trying to help them out by putting them in places where the least amount of light is received.

Moothon is about people who, for fear of being ostracised or corrupted by society, live under different identities.

As they make it clear in the film's relatively superior second half, these people are not only running away from their true selves but also trying to hide them from others. A boy from Lakshadweep ends up in Mumbai's Kamathipura, looking for his elder brother. The latter, seen as both an outcast and a legend by the locals, had left his home long ago.

WATCH TRAILER:

When the mystery of his departure is finally revealed, it brings out the best in not just Nivin Pauly but some of his supporting actors as well. But more on that later. Moothon uses a simple story thread as an excuse to take us through a hellish looking world which is rich in a bizarre sort of way.

For a film populated with people for whom fate have dealt a bad hand, it's a relief to see not a trace of melodrama in Moothon. You don't see someone getting murdered in brutal fashion or crying for an unbearably long time. Most of the violence here is self-inflicted.

ALSO READ | Awards don't make it easy to secure finance for your next film: 'Moothon' director Geetu Mohandas

Two important male characters in the film hurt themselves in two different ways, for two different reasons. However, I wish the film explored more of the bond between the boy and Akbar, which comes off as half-baked and didn't move me on a deeper level. Perhaps this is intentional, but when the story revolves around two siblings, one expects to see more warmth out of it.

Thankfully, the poignant flashback sequences involving Nivin and Roshan Mathew more than makes up for it. These portions, which I'm not going to spoil, give some answers while also withholding some.

Believe me when I say that everything you've heard about Nivin Pauly's performance is true. To see the actor finally stepping out his comfort zone is a gladdening sight. It's undoubtedly the finest performance of his career.

In Moothon, you get to see Nivin becoming two different people in two different time periods. It's a spectacle that makes you forget that it's the same guy who was in Premam or Love Action Drama.

But it's not just Nivin who gets to breaks stereotypes. We also get to see Sujith Shankar, usually known for playing despicable villains, in the role of a vulnerable transgender person whose relationship with Nivin's character is quite obvious despite the ambiguity.

Shashank Arora is terrific as the nasty, unpredictable sidekick of Akbar who sometimes looks like the evil twin of Shah Rukh Khan (in one scene he tells somebody he is a 'Baazigar'). He is to Moothon what Joe Pesci was to Goodfellas or Casino. And Sobhita Dhulipala holds her own despite her limited screentime.

Geetu and Rajeev show Kamathipura as the harsh and cruel world that it really is--a dark, filthy world reeking of desperation and overrun by pimps, sex workers and shady individuals capable of extreme violence. It's a world that has been made familiar to us by films like Sathya, Company, Salaam Bombay and Slumdog Millionaire.

Also, the last time a film used similar colours was Anurag Kashyap's Black Friday. (Kashyap has contributed the Hindi dialogues in Moothon and is also a co-producer.) This familiarity may not work for that seasoned film buff who has seen many similarly gritty (or grittier) films from the rest of the world, but at the same time, it's a welcome change in a time when Malayalam cinema has been overdosing on a lot of feel-good films.

Film: Moothon

Director: Geetu Mohandas

Cast: Nivin Pauly, Sanjana Dipu, Shashank Arora, Sobhita Dhulipala

Stars: 4/5
Stay up to date on all the latest Entertainment Review news with The New Indian Express App. Download now
(Get the news that matters from New Indian Express on WhatsApp. Click this link and hit 'Click to Subscribe'. Follow the instructions after that.)

Comments

Disclaimer : We respect your thoughts and views! But we need to be judicious while moderating your comments. All the comments will be moderated by the newindianexpress.com editorial. Abstain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks. Try to avoid outside hyperlinks inside the comment. Help us delete comments that do not follow these guidelines.

The views expressed in comments published on newindianexpress.com are those of the comment writers alone. They do not represent the views or opinions of newindianexpress.com or its staff, nor do they represent the views or opinions of The New Indian Express Group, or any entity of, or affiliated with, The New Indian Express Group. newindianexpress.com reserves the right to take any or all comments down at any time.

google play app store
flipboard facebook twitter whatsapp