While Ranatantra surely does not reflect any creative reasons for its delayed release, it was probably the indecisiveness of the makers in terms of the genre that they intended it to be that caused the audience to wait to watch Vijay Raghavendra and Hariprriya together. But, in their ambiguity, they surely have come out with a new genre which is neither suspense nor horror.
As for the story, it is weaved around the nightmarish experience of a newly wedded couple. The first hour is all about the romance between Gautam (Vijay Raghavendra) and Swarna (Hariprriya). With Swarna's father, a politician, not accepting their love, they decide to elope and get married.
The film’s twists begin when the two, after a simple wedding, leave for their honeymoon. The couple’s wedded bliss turns eerie when they witness a few strange events at the place they are put up.
Meanwhile, Swarna is grief-stricken to hear that a couple of friends have either committed suicide or have been murdered. Just when Gautam realises that something is just not right with their honeymoon, Swarna opens up and shares a secret. What it is and how the two overcome the terrifying situation forms the crux of Ranatantra, pulling off to a predictable finale.
Director Aadhi Ram has definitely taken ample inspiration from Hollywood films however, it could be a fresh concept for the
Kannada audience. Running mainly on the two lead characters, the director makes it enjoyable in parts but predictable. If only he had kept the suspense for little longer, the film would have engaged the audience.
Vijay Raghavendra gives an applaudable performance and such roles have been a cakewalk for him.
Hariprriya, who plays a glam role, has also
challenged herself in conveying fear. There is nothing noteworthy from the supporting cast.
Music by Karthik M and cinematography by Rajesh K Narayan are average and could have made better considering the theme.
The film does not scare nor thrill, but the natural human anxiety aspect keep it engaging.