Bhatt has long championed Suri, having launched him with Zeher (2005). Photo | Special arrangement
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Mahesh Bhatt on 'Saiyaara': ‘It will rewrite the rules of romantic films’

Set to release on 18 July, the film marks the debut of Ahaan Panday and Aneet Padda, and has already begun drawing comparisons to Bhatt’s own 1990 classic Aashiqui.

TNIE online desk

Veteran filmmaker Mahesh Bhatt, known for shaping the trajectory of romantic cinema in India, has showered praise on Saiyaara, the upcoming directorial by his protégé and nephew Mohit Suri. Set to release on 18 July, the film marks the debut of Ahaan Panday and Aneet Padda, and has already begun drawing comparisons to Bhatt’s own 1990 classic Aashiqui.

In an interview with Mid Day, Bhatt said, “The making of Aashiqui was an incredibly innocent experience for me. I was lucky people connected with it and turned two newcomers into overnight stars.” He was referring to Rahul Roy and Anu Aggarwal, who rose to fame following the musical success of the film.

Echoing that sentiment, Bhatt believes Saiyaara carries the same potential. “It’s incredible that the film evokes memories of Aashiqui, but Saiyaara will revolutionise the standards of modern romance films. Each generation must surpass the last it would make me immensely happy if Suri outdid me in every possible way.”

Bhatt has long championed Suri, having launched him with Zeher (2005). Their creative partnership was further solidified when Bhatt entrusted Suri with Aashiqui 2 in 2013, a film that was both a commercial and critical success.

Reflecting on his role as mentor, Bhatt said, “I’ve always encouraged Mohit to work with fresh talent. I’m thrilled to see him take the plunge with two gifted actors. Saiyaara feels like a breath of fresh air and that only happens when newcomers are given a chance.”

With music-driven storytelling at its core and a nostalgic nod to Aashiqui, Saiyaara is being positioned as a redefining moment in modern Hindi cinema’s romantic genre a journey Bhatt is proud to witness from the sidelines.

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