A portrait of Indian great Sachin Tendulkar was unveiled in the MCC Museum before play on the opening day of the England v India Men’s Rothesay Test match at Lord’s. The portrait, by artist Stuart Pearson Wright, will remain in the MCC Museum until later this year when it will be relocated to the Pavilion. This was revealed in an MCC statement on Thursday.
The portrait was painted from a photograph taken by the artist in Tendulkar's home in Mumbai 18 years ago. As the work progressed, so did Pearson Wright's approach, eventually ending with oil on abraded aluminium. The abstract background illustrates Tendulkar's timelessness, unrestricted by any era or specific location.
According to the statement, this is the fifth portrait of an Indian player in MCC’s Collections, four of which (Kapil Dev, Bishan Bedi, Dilip Vengsarkar and Tendulkar) have been painted by Pearson Wright. Unlike the previous paintings, which were full-length, the portrait of Tendulkar is a larger-than-life image of his head and shoulders.
The Lord’s Portrait Programme has been running in its current form for three decades, but MCC has been collecting art and artefacts since the Victorian period, opening a dedicated museum in the 1950s making it the oldest sporting museum in Europe. The Long Room Gallery is the oldest and most iconic gallery in sport.
The Club currently houses around 3,000 pictures, nearly 300 of which are portraits. Sachin Tendulkar said: "It’s a huge honour. In 1983, when India won the World Cup, it was my first introduction to Lord’s. I saw our captain, Kapil Dev, lift the trophy. That moment sparked my cricketing journey. Today, with my portrait going up inside the Pavilion, life feels like it’s come full circle. When I reflect on my career, it brings a smile to my face. This is truly special."
Pearson Wright said: “It was clear that MCC didn’t want this portrait to be in the same format as the previous Indian cricket portraits I made, so a fresh approach was taken with this one. I decided on a composition which focused more on Sachin’s head and also using a heroic larger-than-lifesize scale to give the painting a sense of gravitas and power.”