Director Mani Ratnam, actress Manisha Koirala and cinematographer Rajiv Menon, along with Tourism Minister Mohammed Riyas. (Photo | Express)
The Sunday Standard

‘Bombay’ crew returns to Bekal Fort after 30 years

The crew of the movie 'Bombay', visited the Bekal fort on Saturday morning and lived through their Bekal experience once again.

Express News Service

KASARAGOD: It was the perfect blend of timing, monsoon weather, A R Rahman’s music that created the magic of the iconic song Uyire (Tu Hi Re in Hindi) at Bekal Fort, recalled crew members in Mani Ratnam’s film Bombay, as they revisited the location on Saturday morning. Director Mani Ratnam, actress Manisha Koirala and cinematographer Rajiv Menon, accompanied by state Tourism Minister Mohammed Riyas and Udma MLA C H Kunhambu, visited Bekal Fort and spent nearly an hour reminiscing about the memorable shoot.

The visit was part of the International Beach Festival, organised by the Bekal Resorts Development Corporation (BRDC) and the Kerala Tourism Department, which commenced on Saturday evening. Marking the 30th year anniversary of the film Bombay and BRDC’s milestone year, the organisers hosted a “Bombay Reunion” at the historic fort.

Addressing the media, Mani Ratnam said that Kerala has always been special to him and he has shot many films in the state. “The beautiful weather, the monsoon and the wild sea created the perfect mood for the song. I want to come back here again. A lot has changed, but the emotion and the feel remains the same,” he said. He thanked A R Rahman for the timeless composition, calling it a crucial part of the film, credited Rajiv Menon for identifying the location.

“It has been 30 years since we shot the iconic song in this beautiful place,” said actress Manisha Koirala. Despite her long film career, she noted that Bombay remains one of the films she is most remembered for. “This place is still very beautiful and beautifully landscaped,” said Koirala. She thanked the organisers and the minister for inviting the team back to Bekal.

Cinematographer Rajiv Menon recalled the challenges and spontaneity of the shoot. “It was a pouring rain and we couldn’t shoot for an entire day. Since there were no dance movements in the song, we decided to shoot in the rain,” said Menon. Morning shots were taken facing the blue sea, while evening shots were framed against the fort. “The film lives in people’s memories because of this place, the tune and the poignant emotions,” he said.

Sharing how he discovered Bekal, Menon he was initially advised to visit Kudremukh but halted in Kannur instead. The next morning, he visited one of his father’s colleagues in navy, retired Commodore Madhu in Kanhangad. He noticed a painting of Bekal at his house and enquired about the spot.

“He insisted that we visit the spot at least three times and mentioned that he had discussed it with my father. I suddenly felt an emotional connection and decided to see it,” Menon recalled.

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